Published October 10, 2012
Publisher: Peter Lang Inc.,
137 pages
Where Hip Hop, Identity & Girlhood Intersect
Through ethnographically informed interviews and observations conducted with six Black middle and high school girls, Hip Hop’s Li’l Sistas Speak explores how young women navigate the space of Hip Hop music and culture to form ideas concerning race, body, class, inequality, and privilege. The thriving atmosphere of Atlanta, Georgia serves as the background against which these youth consume Hip Hop, and the book examines how the city’s socially conservative politics, urban gentrification, race relations, Southern-flavored Hip Hop music and culture, and booming adult entertainment industry rest in their periphery. Intertwined within the girls’ exploration of Hip Hop and coming of age in Atlanta, the author shares her love for the culture, struggles of being a queer educator and a Black lesbian living and researching in the South, and reimagining Hip Hop pedagogy for urban learners.
What Scholars Are Saying
Praise for a Powerful Exploration of Hip Hop & Girlhood
“With the unflinching bravery of a Hip Hop feminist, Bettina L. Love confronts the damaging effects of Hip Hop on young Black girls, while loving Hip Hop and articulating how it reflects the racism, capitalism, sexism, and patriarchy of America.”
Elaine Richardson
The Ohio State University; Author of ‘Hiphop Literacies’
“Hip Hop’s Li’l Sistas Speak is a compelling look at Black girlhood, identity, and the cultural power of Hip Hop. Both deeply personal and critically insightful, the book challenges us to listen more closely to Black girls and recognize Hip Hop as a meaningful space for learning, resistance, and self-definition. I highly recommend this book.”
Peggy Stubbs
Parent
“This work is a pedagogical masterpiece because it promotes an educational practice by showing how it is done; it is ‘good teaching’ while it attempts to advocate ‘good teaching.’ This text is intellectual graffiti–it paints a rich historical, theoretical, and socio political portrait of lil sistas, big sistas, hip hop and place on a taboo tapestry.”
Chantae Recasner
AESA (American Educational Studies Association) Critics Choice
Award Winner
AESA (American Educational Studies Association) Critics Choice Award Winner
